In between our Charleston workshops, we were invited to present a day long event for the Kiawah Island Photography Club. Driving onto the island, and actually on the way down the peninsula, I was pretty blown away by all of the infrared photo ops. And, of course, I’d left my converted D300 back in the room, only bringing my Fuji X system. I’ve only photographed a little with the X system cameras with the iRay (Singh Ray). I have a pretty predictable exposure system in place for my D800 and D3X, but have only begun to experiment using the iRay with mirror less…..and really don’t like experimenting when time is of the essence. But, as the Stones say, “You can’t always get what you want.”
Aside from having a great time with the club, during the presentation and in the field, I had literally only a few minutes to photograph on my own.
Now, please know that Kiawah is a gated community, not open to the public, but upon driving down the various peninsulas throughout the area, including Edisto Island will yield similar spectacular IR ops!
Here’s a few shots from the outings and some image info:
Those who use digital IR are most likely aware of the infamous “hot spot” using some lenses. As I’m still learning using the Fuji lenses and how they react with the iRay filter, the image series above illustrates that the kit lens (which is outstanding, BTW) 18-55mm creates a huge, dense hot spot with flare. I managed to get it to work to a point, but it was prevalent. Needless to say, I’ll be moving on to test other lenses in the Fuji series for Infrared. Also, the flare is not a function of the iRay filter or a camera conversion. It is a function of the lens. It is not a function of the speed of the lens, which I initially thought. It is purely a function of trying various lenses until you find one that does not flare. In the mean time, I’ll be using my Nikon D300 (converted) and the D3x and D800 with the iRay with the 16-35mm and 28-300 lenses, neither of which flare. For infrared camera conversions, we use and recommend Life Pixel (scroll down a bit).
After switching to the 55-200, the flare was not an issue. However, needing a wider lens on the Fuji X system, I will try the 14mm fixed and the newly released 10-24mm to see how they do.
Here’s a black and white version of this great gazebo using the new 10-24mm @ 10mm DX (15mm FX).
Here’s the last shot of the day using the 14mm fixed lens and the Singh Ray 10 stop MorSlo filter, creating a 4 minute exposure. The NDExposure app (free!) was helpful in calculating the exposure time. Of course, I can figure it out in my head, too! I only wish that the clouds were more evenly distributed…but….oh, well….For Singh Ray Filters, please call direct – 1-800-486-5501!
We begin our second Charleston workshop in a few hours, this one being with less clients and more class work: software demos, critiques, etc. However, it is pretty much customized to the people. Some want to be out shooting more, some want more software work and critiques. Whichever, the flowers are peaking for this week with considerable overcast! Perfect! A few sky breaks would be nice, too!
Our seminal Fine Art Photography book series has been digitized by Stackpole and Fine Art Digital Nature Photography is available in various digital formats. The other 4 books will be added soon!
CLICK HERE or on the book to get info and to order
We’re planning our fall/winter Creativity Seminars! Any locations ideas? Let us know!
Thanks for taking the time and we’ll see ya online!